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Licensor Information
20th Century Fox
Directed by: Jules Dassin
Featuring: Richard Widmark, Gene Tierney, Googie Withers, Hugh Marlowe, Francis L. Sullivan, Herbert Lom
Two-bit hustler Harry Fabian (Richard Widmark) aches for a life of ease and plenty. Trailed by an inglorious history of go-nowhere schemes, he stumbles upon a chance of a lifetime in the form of legendary wrestler Gregorius the Great (Stanislaus Zbyszko). But there is no easy money in this underworld of shifting alliances, bottomless graft, and pummeled flesh--and Fabian soon learns the horrible price of his ambition. Luminously shot in the streets of London, Jules Dassin's Night and the City is film noir of the first order and one of the director's crowning achievements.
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Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Audio Commentary, Interview, Video Essay, Theatrical Trailer, Insert
- Audio commentary from 2005 with film scholar Glenn Erickson
- Interview with director Jules Dassin from 2005
- Excerpts from a 1972 television interview with Jules Dassin
- Comparison of the scores for the British and American versions of the film
- Trailer
- Insert featuring an essay by critic Paul Arthur
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Artwork: Eric Skillman
Producer: Issa Clubb
Release Notes on Restoration
Night and the City
Night and the City is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created a 35mm fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from a 35mm magnetic track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from a 35mm magnetic track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.