Pigs and Battleships | The Insect Woman | Intentions of Murder
Licensor Information
Nikkatsu Co.
Directed by: Shohei Imamura
In the 1960s, Japanese filmmakers responded to a stale studio system by looking for fresh ways to tell stories, and Shohei Imamura was one of the leading figures of this new wave. With the three films in this set—Pigs and Battleships, The Insect Woman, and Intentions of Murder—Imamura truly emerged as an auteur, bringing to his national cinema an anthropological eye and a previously unseen taste for the irreverent. Claiming his interests lay in “the relationship of the lower part of the human body and the lower part of the social structure,” Imamura dotted the decade with earthy, juicy, idiosyncratic films featuring persevering, willful heroines. His remains a unique cinematic voice.
Details by Film
Pigs and Battleships
Year: 1962
Time: 108
Aspect Ratios
2.35:1
Audio
Japanese Dolby Digital Mono 1.0
Streaming Options
16693.
+8316
The Insect Woman
Year: 1963
Time: 123
Aspect Ratios
2.35:1
Audio
Japanese Dolby Digital Mono 1.0
Streaming Options
Stream
2
Intentions of Murder
Year: 1964
Time: 150
Aspect Ratios
2.35:1
Audio
Japanese Dolby Digital Mono 1.0
Streaming Options
Stream
2
Release Information:
Technical Specifications
Format:
DVD
Discs:
DVD-9 (3 Discs)
Total: 3 Discs
Regions:
1 (DVD)
Aspect Ratio:
2.35:1
Audio Options:
Japanese Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included:
- “Imamura: the Freethinker,” a 1995 episode of the French television series Cinéma de notre temps
- Conversation between Shohei Imamura and critic Tadao Sato about the film
- Conversation between Shohei Imamura and critic Tadao Sato about the film
- Interview with critic and historian Tony Rayns
- Interview with critic and historian Tony Rayns
- Interview with critic and historian Tony Rayns
- A booklet featuring an essay by film critic Audie Bock
- A booklet featuring an essay by film critics Dennis Lim
- A booklet featuring an essay by film critic James Quandt
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Pigs and Battleships
The Insect Woman
Intentions of Murder
Picture
Audio
Supplements
Artwork
Release Notes on Restoration
Pigs and Battleships
Pigs and Battleships is presented in its original aspect ratio of 2.35:1. Black bars at the top and the bottom of the screen are normal for this format. This new high-definition digital transfer was created on a Sony Vialta telecine from the original 35mm camera negative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System.
Presented in its original monaural format, the soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Pops, crackle, hiss, and hum were reduced with an array of audio restoration techniques.
Presented in its original monaural format, the soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Pops, crackle, hiss, and hum were reduced with an array of audio restoration techniques.
The Insect Woman
The Insect Woman is presented in its original aspect ratio of 2.35:1. Black bars at the top and the bottom of the screen are normal for this format. This new high-definition digital transfer was created on a Sony Vialta telecine from the original 35mm camera negative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System.
Presented in its original monaural format, the soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Pops, crackle, hiss, and hum were reduced with an array of audio restoration techniques.
Presented in its original monaural format, the soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Pops, crackle, hiss, and hum were reduced with an array of audio restoration techniques.
Intentions of Murder
Intentions of Murder is presented in its original aspect ratio of 2.35:1. Black bars at the top and the bottom of the screen are normal for this format. This new high-definition digital transfer was created on a Cintel C-Reality Datacine from a 35mm fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System.
Presented in its original monaural format, the soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Pops, crackle, hiss, and hum were reduced with an array of audio restoration techniques.
Presented in its original monaural format, the soundtrack was remastered at 24-bit from a 35mm optical soundtrack print. Pops, crackle, hiss, and hum were reduced with an array of audio restoration techniques.

