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Licensor Information
Intramovies
Directed by: Roberto Rossellini
Featuring: Nazario Gerardi, Severino Pisacane, Esposito Bonaventura, Aldo Fabrizi, Arabella Lemaître
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
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31882.
+24204
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1/2/3/4/5/6 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
Italian Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Interview, Deleted Scenes, Booklet
- Exclusive new video interviews, conducted in 2004, with actress Isabella Rossellini, film historianAdriano Aprà, and film critic Father Virgilio Fantuzzi
- The American-release prologue, situating the film in its historical context through paintings and frescoes
- A 36-page booklet featuring a new essay by film scholar Paul Brunette and reprinted writings by Roberto Rossellini and critic André Bazin
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Jason Altman
Artwork: Sarah Habibi
Producer: Heather Shaw
Release Notes on Restoration
The Flowers of St. Francis
The Flowers of St. Francis is presented here in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a C-Reality from the 35mm restored internegative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from the 35mm restored track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm restored track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.