The Night of the Hunter

Edition no. 541

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Licensor Information
MGM Home Entertainment
Directed by: Charles Laughton
The Night of the Hunter—incredibly, the only film the great actor Charles Laughton ever directed—is truly a stand-alone masterwork. A horror movie with qualities of a Grimm fairy tale, it stars a sublimely sinister Robert Mitchum as a traveling preacher named Harry Powell (he of the tattooed knuckles), whose nefarious motives for marrying a fragile widow, played by Shelley Winters, are uncovered by her terrified young children. Graced by images of eerie beauty and a sneaky sense of humor, this ethereal, expressionistic American classic—also featuring the contributions of actress Lillian Gish and writer James Agee—is cinema’s most eccentric rendering of the battle between good and evil.
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Release Information:


Technical Specifications

Format:
DVD
Discs:
DVD-9 (2 Discs)
Total: 2 Discs
Regions:
1 (DVD)
Aspect Ratio:
1.66:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English

Supplements

Types of Supplements Included: Audio Commentary, Outtakes, Documentary, Interview, Television Program, Gallery, Theatrical Trailer, Booklet

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Film
9.1786/10
Picture
10.0000/10
Audio
10.0000/10
Supplements
9.0000/10
Artwork
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Release Credits

Artwork: Eric Skillman
Producer: Issa Clubb

Release Notes on Restoration

The Night of the Hunter
The Night of the Hunter is presented in its original aspect ratio of 1.66:1. On standard 4:3 televisions, the image will appear letterboxed. On standard and widescreen televisions, black bars may also appear on the left and right to maintain the proper screen format. This new digital transfer was created in 2K resolution on a Scanity film scanner from the original 35mm camera negative. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI’s DRS system and Pixel Farm’s PFClean system.

The monaural soundtrack was taken from the 2001 UCLA Film & Television Archive restoration, supervised by Robert Gitt and John Polito of Audio Mechanics. This restoration was painstakingly constructed from a 35mm composite master positive, a variable-density soundtrack negative of the film’s music and effects track, a projection print, and many rolls of 35mm magnetic film containing fully edited dialogue recordings. All of this audio was digitized at 96kHz, 24-bit by Simon Daniel and Peter Oreckcinto at DJ Audio in Studio City, CA. Additional restoration was performed by Criterion using Pro Tools HD.