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Licensor Information
Shochiku
Directed by: Keisuke Kinoshita
Keisuke Kinoshita’s Twenty-Four Eyes (Nijushi no hitomi) is an elegant, emotional chronicle of a teacher’s unwavering commitment to her students, her profession, and her sense of morality. Set in a remote, rural island community and spanning decades of Japanese history, from 1928 through World War II and beyond, Kinoshita’s film takes a simultaneously sober and sentimental look at the epic themes of aging, war, and death, all from the lovingly intimate perspective of Hisako Oshi (Hideko Takamine), as she watches her pupils grow and deal with life’s harsh realities. Though little known in the United States, Twenty-Four Eyes is one of Japan’s most popular and enduring classics.
Streaming Options
Free
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
Japanese Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Interview, Booklet
- New video interview with Japanese cinema historian and critic Tadao Sato about the film and its director
- A booklet featuring a new essay be renowned film scholar Audie Bock and excerpts from an interview with Keisuke Kinoshita
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Curtis Tsui
Artwork: Michael Boland
Release Notes on Restoration
Twenty-Four Eyes
Twenty-Four Eyes is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and the right of the image to maintain the proper screen format. The picture has been slightly window-boxed to ensure that the maximum image is visible on all monitors. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm fine-grain master positive. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 was encoded at the highest possible bit rate for the quantity of material included.
The soundtrack was mastered at 24-bit from a 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from a 35mm optical soundtrack print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.