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Licensor Information
Shochiku
Directed by: Shohei Imamura
A thief, murderer, and charming lady-killer, Iwao Enokizu (Ken Ogata) is on the run from the police. Director Shohei Imamura turns this fact-based story, of the seventy-eight-day killing spree of a remorseless man from a devoutly Catholic family, into a cold, perverse, and at times diabolically funny tale of the primitive coexisting with the modern. More than just a true-crime case, Vengeance Is Mine bares mankind's snarling id.
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24836.
+18114
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.66:1
Audio Options:
Japanese Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Interview, Theatrical Trailer, Booklet
- Excerpts from a 1999 interview with director Shohei Imamura, produced by the Directors Guild of Japan
- Trailer and teaser
- A booklet featuring an essay by critic Michael Atkinson, a 1994 interview with Imamura by filmmaker Toichi Nakata, and writings by Shohei Imamura on Vengeance Is Mine and his approach to directing
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Audio
Supplements
Artwork
Release Credits
Producer: Kim Hendrickson
Artwork: Eric Skillman
Producer: Alexandre Mabilon
Release Notes on Restoration
Vengeance is Mine
Vengeance is Mine is presented in the aspect ratio of 1.66:1. On standard 4:3 televisions, the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the left and right to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit 2K Datacine from a new 35mm low-contrast print made from the original camera negative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from a 35mm optical track print and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from a 35mm optical track print and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.