Licensor Information
Universal Studios Home Entertainment
Directed by: Wong Kar-wai
Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career.
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Release Information:
Technical Specifications
Format:
DVD
Discs:
DVD-9 (2 Discs)
Total: 2 Discs
Regions:
1 (DVD)
Aspect Ratio:
1.66:1
Audio Options:
Cantonese Dolby Digital Surround 5.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Documentary, Deleted Scenes, Short Film, Interview, Press Conference, Theatrical Trailer, TV Spot, Mulitimedia Essay, Text, Gallery, Filmography, Insert
- @ "In the Mood for Love," director Wong Kar-wai's documentary on the making of the film
- Deleted scenes, with commentary by Wong Kar-wai
- Hua yang de nian hua (2000), a short film by Wong
- Archival interview with Wong Kar-wai and a “cinema lesson” given by the director at the 2001 Cannes Film Festival
- Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man-yuk and Tony Leung Chiu-wai
- Trailers
- TV Spots
- The music of In the Mood for Love, presented in an interactive essay
- Essay by film scholar Gina Marchetti illuminating the film
- Photo gallery
- Biographies of key cast and crew
- An essay by film critic Steve Erickson
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Film
Picture
Audio
Supplements
Artwork
Release Notes on Restoration
In the Mood for Love
In the Mood for Love is presented in its original theatrical aspect ratio of 1.66:1. This new digital transfer was created from the 35mm interpositive. The mix for the 5.0 soundtrack was mastered at 24-bit from the DA-88.

